当代古琴名家 -丁承运： 此生端为雅琴来

视频播放   丁承运  当代古琴大师

武汉音乐学院音乐学系教授

传统的古琴声音很小，影响演出效果，曾经学过木工的丁承运决定改进古琴，2年后，他制作出了第一张古琴，在小型演奏厅演出时不再需要麦克风。在制作古琴的过程中，丁承运对唐代以来的琴制进行了深入的研究，并在《乐器》上发表了《中国造琴传统抉微》的长篇论文，开始在古琴领域崭露头角。

2003年，中国古琴成功入选世界“人类口头和非物质文化遗产”，丁承运功不可没。文化部在组织申报材料时，丁承运是主要的文献提供者之一，文献中以较大篇幅介绍了丁承运演奏的上古琴曲《神人畅》。

丁承运是享誉国内外的著名学者与琴、筝演奏家，学界评价其演奏“雄浑高古，儒雅蕴籍，体现了一位学者与演奏家的完美结合”，为当代最有成就的琴家之一。近年在古瑟定弦及演奏法研究等方面有重大突破，使失传千余年之古瑟重新鸣响。在乐学研究方面，继1983年发表论文《清、平、瑟调考辩》之后，又经二十年锲而不舍地潜心研究，遂逐步揭开了千古之秘的汉唐清商三调、楚调、侧调之谜。曾在国家核心期刊发表论文《清商三调音阶调式考索》、《论吟猱》、《琴调溯源》、《论五音调》、《古瑟调弦与旋宫法钩沉》等数十篇；1992年曾主办清商乐研讨会；曾多次在国内、外举办古琴独奏及琴瑟合奏音乐会，音清韵雅，广受好评。

Ding carrier

Professor of the Department of musicology, Wuhan Conservatory of Music

The traditional Guqin’s voice is very small, which affects the performance effect. Ding Chengyun, who once studied woodworking, decided to improve Guqin. After 2 years, he made the first guqin, and no longer needed microphone when performing in a small concert hall. In the process of making guqin, Ding carrier of Tang Dynasty Qin system conducted in-depth research, and in the “instruments” published “China made” the traditional piano – micro long papers, began to emerge in the field of guqin.

In 2003, the Chinese Guqin successfully selected the world “human oral and non material cultural heritage”, Ding Chengyun can not be able to do so. When the Ministry of culture was organizing the application, Ding Chengyun was one of the main providers of literature. In the literature, we introduced Ding Chengyun’s “Guqin Chang” on the upper hand.

Ding Chengyun is a renowned domestic and foreign famous scholars and Qin, Zheng performer, the performance evaluation “vigorous ancient scholars, refined yun ji, perfect a scholar and performer with”, as one of the most successful contemporary pianist. In recent years, a major breakthrough in the method of tuning and performance aspects of the ancient “Se”, lost more than a thousand years to ancient “Se”. In the aspect of musicology, following the publication of “Qing, Ping, Su”, “1983,” after twenty years of perseverance, we gradually uncovered the mystery of Han, Tang, Qing, Shang, three, Chu and side tones. Once in the national core journals published “Qingshang three tone scale mode”, “on the study”, “Qin Yin Nao”, adjust the traceability “on the five tone”, “transition” in the ancient “Se” tunings and method etc.; 1992 hosted the Qingshang music seminar; both at home and abroad have repeatedly held Guqin solo the concert sound and melody, elegant, acclaimed.

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